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Dingin

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Cinte Yin Galema Image

Cinte Yin Galema

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Nyerok Nanggok Image

Nyerok Nanggok

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Nyai Dasima Image

Nyai Dasima

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Tumurune Hapsari Image

Tumurune Hapsari

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Tembang Macapat sebagai Sumber Ide Gending\u002Dgending Karya Ki Nartosabdo Image
Journal article

Tembang Macapat sebagai Sumber Ide Gending-gending Karya Ki Nartosabdo

Ki Nartasabda used Sekar Macapat as one of the inspirations in creating gamelan ensemble compositions. The expression of the Javanese traditional poetry was applied in the composition elements such as bawa, gerongan, and lelagon. Therefore, the elements were related to different ambiences of the traditional songs and cakepan did not completely follow the rimes of the Javanese poetry and also cengkok in the Sekar Macapat. The Sekar Macapat in the gamelan ensemble compositions created by Ki Nartasabda was expressed implicitly and explicitly in the bawa, the gerongan and the lelagon. The examples of the gamelan ensemble compositions were contained in the forms of Bawa Sekar Mijil, Ladrang Pocung, Lelagon Gambuh Pangatag, Lancaran Wira-wiri, and Lancaran Begadhang (Sinom).
Proses Ritual Sêblang Olehsari Image
Journal article

Proses Ritual Sêblang Olehsari

Sêblang Olehsari adalah ritual adat yang ada di desa Olehsari, Banyuwangi Jawa Timur. Secara etimologi kata Sêblang berasal dari bahasa Osing yang merupakan akronim dari kata sêbêlé ilang yang artinya membuang sial. Ritual Sêblang Olehsari diselenggarakan setelah hari raya Idul Fitri dan dilaksanakan selama tujuh hari berturut-turut. Pada hari ketujuh dilakukan prosesi Idêr Bumi (berjalan mengelilingi desa Olehsari) dan keesokan harinya diadakan upacara Ngêlungsur atau siraman. Bagian terpenting dalam ritual ini adalah ketika penari yang terpilih berdasarkan garis keturunan, mampu menari selama tiga jam dalam kondisi kesurupan. Tertarik dengan melihat Perubahan moral dan kognitif subjek, maka penelitian ini difokuskan untuk mengamati proses ritual yang dialami subjek ritual. Berdasarkan pada teori proses ritual Victor Turner yakni separasi, liminalitas, reagregasi, dan dalam ritual Sêblang Olehsari ini subjek juga mengalami tahap transformasi. Diharapkan hasil penelitian yang dikaji dengan perspektif Etnokoreologi ini, memberikan kontribusi pengetahuan yang lebih luas tentang ritual Sêblang Olehsari. Sêblang Olehsari was customary ritual that existed in Olehsari village, Banyuwangi East Java. Etimologycally, Sêblang derived from Osing languages, acronyim from ‘sêbêlé ilang' which mean unfortunate throw way. Sêblang Olehsari ritual held after the day of Eid Fitri during seven consecutive days. On the seventh days be a procession Idêr Bumi (walk around in the Olehsari village) and the next day held Ngêlungsur or steady ceremonial. The most important part in this ritual was when the dancer who elected based on line descent, and able to dancing during three hours in trance condition. Interest with moral and cognitive changes from subject, so this research focused to observe ritual process that subjects experienced. Based on ritual process theories of Victor Turner even separation, liminality, reagregation, and in this Sêblang rituals subject also suffered transformation phases. Expected the results of research which is examined by ethnocoreological perspective, can contribute knowledge that was more widespread about Sêblang Olehsari ritual.
Taru Tari Tara Image
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Taru Tari Tara

Ritus Barong Image
Journal article

Ritus Barong

Taru Tari Tara Image
Taru Tari Tara Image
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Taru Tari Tara

Ritus Barong Image
Ritus Barong Image
Journal article

Ritus Barong

Berdisco Sebagai Bentuk Pengalaman Proses Penggarapan Karya Tari Image
Berdisco Sebagai Bentuk Pengalaman Proses Penggarapan Karya Tari Image
Journal article

Berdisco Sebagai Bentuk Pengalaman Proses Penggarapan Karya Tari

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Lunar Image
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Lunar

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Perubahan Sistem Spasial Rumah Tinggal Berfungsi Ganda Di Daerah Umbulharjo YOGYAKARTA Image
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Perubahan Sistem Spasial Rumah Tinggal Berfungsi Ganda Di Daerah Umbulharjo YOGYAKARTA

A large numberof college students coming from numerous cities in Indonesia hasencouraged citizens of Umbulharjo an area in the city of Yogyakarta to use a part of theirhouses available for the students to rent thereby called double function houses Thisphenomenon is very important and has inspired this research on the change of spatial system among double function houses in Umbulharjo The approach used in this research isQualitative deductive Phenomenology Modified from Ihalauw 1985 Muhajir 1992 and Sudaryono 2004 The population was all double function houses in Umbulharjo YogyakartaFrom the observations It is obvious that there are three basic types of double function housesi e house functions as a dorm house functions as afood selling vendor warung smallrestaurant and house functions as a shop Based on the analysis of the change of spatial systemit was found that there are differences between the change pattern and shape of houses function as a dorm and houses function as a warung restaurant and a shop However the changing process and motivation behind it was similar The main motivation was social and economic.
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